WICHITA STATE UNIVERSITY ALUMNI MAGAZINE
Winter 1999

Migration

See now they vanish,

The faces and places, with the self which,

as it could, loved them... — T.S. Eliot

Nobody is ever missing. — John Berryman

 

1.

Crows file in from Kansas fields, hundreds,

a column that reaches back and ahead to distances

where even the black point that may or may not be

the beginning and end disappears.

This reminds me of the leaves

the starlings replaced in '72,

a canopy that hung over our neighborhood

as Jack D. and I killed them with our .22's.

We watched them death-spiral while the sky rose

black with beating wings and bleating tongues

then settled like before, a Hitchcock scene.

On one of those killing days

we learned Jack's father was MIA.

Shot down in some Asian jungle.

They found the plane. No pilot.

Soon after that, Jack disappeared.

 

2.

Traveling home, I attempt to travel

backwards, trying to remember faces:

my father's and mother's, my brother's,

my own. But I need markers

to migrate the course absence creates.

Along I-35 I count hawks instead of miles,

43 clipped on phone lines

like mother's clothes pins.

This connects me, keeps me

from going too far.

 

3.

In a truckstop outside Kansas City,

a man plays peek-a-boo with his infant.

A handkerchief is all it takes

for the father to vanish.

He drapes the cloth, no longer white

but aged yellow like scrapbook clippings,

over the child's face. Then silence.

Laughter stops, and for a moment

the infant pulls at the cloth, then stops even that.

If the father holds the handkerchief between them

too long, his son will forget the game,

forget the face on the other side.

 

Rick Mulkey '92

from Before the Age of Reason


SHOCK ART

Migration

See now they vanish, The faces and places, with the self which, as it could, loved them... — T.S. Eliot Nobody is ever missing. — John Berryman   1. Crows file in from Kansas fields, hundreds, a column that reaches back and ah...

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